๐—–๐—ข๐—ฅ๐—ฆ๐—ข ๐—ฑ๐—ถ ๐˜€๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น๐—ถ๐˜‡๐˜‡๐—ฎ๐˜‡๐—ถ๐—ผ๐—ป๐—ฒ ๐—ฝ๐—ฟ๐—ผ๐—ณ๐—ฒ๐˜€๐˜€๐—ถ๐—ผ๐—ป๐—ฎ๐—น๐—ฒ ๐—ฝ๐—ฒ๐—ฟ ๐—š๐˜‚๐—ถ๐—ฑ๐—ฒ ๐—ง๐˜‚๐—ฟ๐—ถ๐˜€๐˜๐—ถ๐—ฐ๐—ต๐—ฒ: ๐—œ ๐—š๐—ฅ๐—”๐—ก๐——๐—œ ๐— ๐—จ๐—ฆ๐—˜๐—œ ๐——๐—œ ๐—ก๐—”๐—ฃ๐—ข๐—Ÿ๐—œ

๐ˆ ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ– ๐ ๐ž๐ง๐ง๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ

๐ˆ๐ง๐ญ๐ซ๐จ๐๐ฎ๐ณ๐ข๐จ๐ง๐ž ๐š๐ฅ ๐ฌ๐ข๐ฌ๐ญ๐ž๐ฆ๐š ๐ฆ๐ฎ๐ฌ๐ž๐š๐ฅ๐ž ๐œ๐š๐ฆ๐ฉ๐š๐ง๐จ

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ข:

Carlo Rescigno, Universitร  degli Studi della Campania โ€œLuigi Vanvitelliโ€, PA Archeologia Classica

Nadia Barrella,ย Universitร  degli Studi della Campania โ€œLuigi Vanvitelliโ€, PO di Museologia

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 3 ore

๐’๐ž๐๐ž:ย Dipartimento di Lettere e Beni Culturali โ€“ Universitร  Vanvitelli

 

๐ˆ๐ˆ ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ– ๐ ๐ž๐ง๐ง๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ๐Ÿ“:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ–:๐ŸŽ๐ŸŽ

๐€๐ญ๐ฅ๐š๐ง๐ญ๐ข ๐‚๐จ๐ง๐ญ๐ž๐ฆ๐ฉ๐จ๐ซ๐š๐ง๐ž๐ข

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ž: Giuseppina Renda, Universitร  degli Studi della Campania โ€œLuigi Vanvitelliโ€, PA Topografia Antica.

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 3 ore

๐’๐ž๐๐ž:ย Dipartimento di Lettere e Beni Culturali โ€“ Universitร  Vanvitelli

 

๐ˆ๐ˆ๐ˆ ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ— ๐ ๐ž๐ง๐ง๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ (๐ญ๐›๐)

๐๐ซ๐ž๐ฌ๐ž๐ง๐ญ๐š๐ณ๐ข๐จ๐ง๐ž ๐๐ž๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ ๐๐ข ๐‚๐š๐ฉ๐จ๐๐ข๐ฆ๐จ๐ง๐ญ๐ž

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ž: Andrea Zezza, Universitร  della Campania โ€œLuigi Vanvitelliโ€, PO Storia dellโ€™Arte Moderna

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 2 ore

๐Œ๐จ๐๐š๐ฅ๐ข๐ญ๐šฬ€: Online

 

๐ˆ๐• ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ๐Ÿ ๐ ๐ž๐ง๐ง๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ

๐๐ซ๐ž๐ฌ๐ž๐ง๐ญ๐š๐ณ๐ข๐จ๐ง๐ž ๐๐ž๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ ๐๐ข ๐’๐š๐ง ๐Œ๐š๐ซ๐ญ๐ข๐ง๐จ

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ž: Nadia Barrella, Universitร  degli Studi della Campania โ€œLuigi Vanvitelliโ€, PO Museologia

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 2 ore

๐Œ๐จ๐๐š๐ฅ๐ข๐ญ๐šฬ€: Online

 

๐• ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ๐Ÿ‘ ๐ ๐ž๐ง๐ง๐š๐ข๐จ (๐Ÿ๐Ÿ— ๐ ๐ž๐ง๐ง๐š๐ข๐จ) ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ

๐’๐จ๐ฉ๐ซ๐š๐ฅ๐ฅ๐ฎ๐จ๐ ๐จ ๐š๐ฅ๐ฅ๐ž ๐œ๐จ๐ฅ๐ฅ๐ž๐ณ๐ข๐จ๐ง๐ข ๐๐ž๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ ๐๐ข ๐’๐š๐ง ๐Œ๐š๐ซ๐ญ๐ข๐ง๐จ

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ž: Nadia Barrella, Universitร  degli Studi della Campania โ€œLuigi Vanvitelliโ€, PO Museologia

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 3 oreย (da duplicare โ€“ tbd)

๐Œ๐จ๐๐š๐ฅ๐ข๐ญ๐šฬ€: Online

 

๐•๐ˆ ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ๐Ÿ” ๐ ๐ž๐ง๐ง๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ (๐ญ๐›๐)

๐’๐จ๐ฉ๐ซ๐š๐ฅ๐ฅ๐ฎ๐จ๐ ๐จ ๐š๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ ๐๐ข ๐‚๐š๐ฉ๐จ๐๐ข๐ฆ๐จ๐ง๐ญ๐ž โ€“ โ€œ๐‹๐š ๐‚๐จ๐ฅ๐ฅ๐ž๐ณ๐ข๐จ๐ง๐ž ๐…๐š๐ซ๐ง๐ž๐ฌ๐žโ€

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ž: Andrea Zezza, Universitร  della Campania โ€œLuigi Vanvitelliโ€ PO Storia dellโ€™Arte Moderna

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 3 oreย (da duplicare โ€“ tbd)

 

๐•๐ˆ๐ˆ ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ๐Ÿ ๐ ๐ž๐ง๐ง๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ

๐๐ซ๐ž๐ฌ๐ž๐ง๐ญ๐š๐ณ๐ข๐จ๐ง๐ž ๐๐ž๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ ๐€๐ซ๐œ๐ก๐ž๐จ๐ฅ๐จ๐ ๐ข๐œ๐จ ๐๐š๐ณ๐ข๐จ๐ง๐š๐ฅ๐ž ๐๐ข ๐๐š๐ฉ๐จ๐ฅ๐ข (๐Œ๐€๐๐)

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ž: Carlo Rescigno, Universitร  degli Studi della Campania โ€œLuigi Vanvitelliโ€, PA Archeologia Classica

Francesco Sirano โ€“ Direttore del Museo Archeologico Nazionale di Napoli

๐ƒ๐ฎ๐ซ๐š๐ญ๐š: 2 ore

๐Œ๐จ๐๐š๐ฅ๐ข๐ญ๐šฬ€: Online

 

๐•๐ˆ๐ˆ๐ˆ ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ๐Ÿ‘ ๐ ๐ž๐ง๐ง๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ (๐ญ๐›๐)

๐’๐จ๐ฉ๐ซ๐š๐ฅ๐ฅ๐ฎ๐จ๐ ๐จ ๐š๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ ๐๐ข ๐‚๐š๐ฉ๐จ๐๐ข๐ฆ๐จ๐ง๐ญ๐ž โ€“ โ€œ๐€๐ฅ๐ฅ๐ž๐ฌ๐ญ๐ข๐ฆ๐ž๐ง๐ญ๐ข ๐’๐ญ๐จ๐ซ๐ข๐œ๐ขโ€

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ž: Andrea Zezza, Universitร  della Campania โ€œLuigi Vanvitelliโ€ PO Storia dellโ€™Arte Moderna.

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 3 oreย (da duplicare โ€“ tbd)

 

๐ˆ๐— ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ๐Ÿ— ๐ ๐ž๐ง๐ง๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ

๐’๐จ๐ฉ๐ซ๐š๐ฅ๐ฅ๐ฎ๐จ๐ ๐จ ๐š๐ฅ ๐Œ๐€๐๐ โ€“ โ€œ๐‹๐š ๐Œ๐š๐ ๐ง๐š ๐†๐ซ๐ž๐œ๐ข๐šโ€

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ข: Carlo Rescigno, Universitร  degli Studi della Campania โ€œLuigi Vanvitelliโ€, PA Archeologia Classica.

Valeria Parisi โ€“ Docente di Archeologia Classica, Universitร  Vanvitelli

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 3 oreย (da duplicare โ€“ tbd)

 

๐— ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ‘๐ŸŽ ๐ ๐ž๐ง๐ง๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ (๐ญ๐›๐)

๐’๐จ๐ฉ๐ซ๐š๐ฅ๐ฅ๐ฎ๐จ๐ ๐จ ๐š๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ ๐๐ข ๐‚๐š๐ฉ๐จ๐๐ข๐ฆ๐จ๐ง๐ญ๐ž โ€“ โ€œ๐๐ž๐ซ๐œ๐จ๐ซ๐ฌ๐ข ๐“๐ž๐ฆ๐š๐ญ๐ข๐œ๐ข ๐ž

๐‚๐ซ๐จ๐ง๐จ๐ฅ๐จ๐ ๐ข๐œ๐ขโ€

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ž: Andrea Zezza, Universitร  della Campania โ€œLuigi Vanvitelliโ€ PO Storia dellโ€™Arte Moderna.

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 3 oreย (da duplicare โ€“ tbd)

 

๐—๐ˆ ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ“ ๐Ÿ๐ž๐›๐›๐ซ๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ

๐’๐จ๐ฉ๐ซ๐š๐ฅ๐ฅ๐ฎ๐จ๐ ๐จ ๐š๐ฅ ๐Œ๐€๐๐ โ€“ โ€œ๐๐จ๐ฆ๐ฉ๐ž๐ข ๐ง๐ž๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ ๐๐ข ๐๐š๐ฉ๐จ๐ฅ๐ขโ€

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ข: Carlo Rescigno, Universitร  degli Studi della Campania โ€œLuigi Vanvitelliโ€, PA Archeologia Classica.

Michele Giovanni Silani, Professore e Ricercatore di Archeologia Classica

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 3 oreย (da duplicare โ€“ tbd)

 

๐—๐ˆ๐ˆ ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ” ๐Ÿ๐ž๐›๐›๐ซ๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ (๐ญ๐›๐)

๐’๐จ๐ฉ๐ซ๐š๐ฅ๐ฅ๐ฎ๐จ๐ ๐จ ๐š ๐‚๐š๐ฉ๐จ๐๐ข๐ฆ๐จ๐ง๐ญ๐ž โ€“ โ€œ๐ˆ๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ: ๐๐ž๐ฉ๐จ๐ฌ๐ข๐ญ๐ข, ๐ฅ๐š๐›๐จ๐ซ๐š๐ญ๐จ๐ซ๐ข,

๐ข๐ฌ๐ญ๐ข๐ญ๐ฎ๐ณ๐ข๐จ๐ง๐žโ€

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ž: Andrea Zezza, Universitร  della Campania โ€œLuigi Vanvitelliโ€ PO Storia dellโ€™Arte Moderna.

๐ƒ๐ฎ๐ซ๐š๐ญ๐š: 3 oreย (da duplicare โ€“ tbd)

 

๐—๐ˆ๐ˆ๐ˆ ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ๐ŸŽ ๐Ÿ๐ž๐›๐›๐ซ๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ

๐๐ซ๐ž๐ฌ๐ž๐ง๐ญ๐š๐ณ๐ข๐จ๐ง๐ž ๐๐ž๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ ๐‚๐ข๐ฏ๐ข๐œ๐จ ๐†๐š๐ž๐ญ๐š๐ง๐จ ๐…๐ข๐ฅ๐š๐ง๐ ๐ข๐ž๐ซ๐ข

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ž: Nadia Barrella, Universitร  degli Studi della Campania โ€œLuigi Vanvitelliโ€, PO di Museologia

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 2 ore

๐Œ๐จ๐๐š๐ฅ๐ข๐ญ๐šฬ€: Online

 

๐—๐ˆ๐• ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ๐Ÿ ๐Ÿ๐ž๐›๐›๐ซ๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ

๐’๐จ๐ฉ๐ซ๐š๐ฅ๐ฅ๐ฎ๐จ๐ ๐จ ๐š๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ ๐‚๐ข๐ฏ๐ข๐œ๐จ ๐†๐š๐ž๐ญ๐š๐ง๐จ ๐…๐ข๐ฅ๐š๐ง๐ ๐ข๐ž๐ซ๐ข โ€“ โ€œ๐‹๐ž ๐‚๐จ๐ฅ๐ฅ๐ž๐ณ๐ข๐จ๐ง๐ขโ€

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ž: Nadia Barrella, Universitร  degli Studi della Campania โ€œLuigi Vanvitelliโ€, PO di Museologia

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 3 oreย (da duplicare โ€“ tbd)

 

๐—๐• ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ๐Ÿ ๐Ÿ๐ž๐›๐›๐ซ๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ

๐’๐จ๐ฉ๐ซ๐š๐ฅ๐ฅ๐ฎ๐จ๐ ๐จ ๐š๐ฅ ๐Œ๐€๐๐ โ€“ โ€œ๐‹๐š ๐‚๐จ๐ฅ๐ฅ๐ž๐ณ๐ข๐จ๐ง๐ž ๐…๐š๐ซ๐ง๐ž๐ฌ๐ž ๐ž ๐ฅ๐š ๐‚๐š๐ฆ๐ฉ๐š๐ง๐ข๐š ๐‘๐จ๐ฆ๐š๐ง๐šโ€

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ข: Carlo Rescigno, Universitร  degli Studi della Campania โ€œLuigi Vanvitelliโ€, PA Archeologia Classica.

Carmela Capaldi โ€“ Prof.ssa di Archeologia Classica, Universitร  Federico II

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 3 oreย (da duplicare โ€“ tbd)

 

๐—๐•๐ˆ ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐๐Ž๐๐”๐’ โ€“ ๐Ÿ๐Ÿ– ๐Ÿ๐ž๐›๐›๐ซ๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ

๐’๐จ๐ฉ๐ซ๐š๐ฅ๐ฅ๐ฎ๐จ๐ ๐จ ๐š๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ ๐๐š๐ณ๐ข๐จ๐ง๐š๐ฅ๐ž ๐๐ž๐ฅ๐ฅ๐š ๐‚๐ž๐ซ๐š๐ฆ๐ข๐œ๐š ๐ƒ๐ฎ๐œ๐š ๐๐ข ๐Œ๐š๐ซ๐ญ๐ข๐ง๐š

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ข: Nadia Barrella, Universitร  degli Studi della Campania โ€œLuigi Vanvitelliโ€, PO di Museologia

Amalia Bizzarro โ€“ Direttrice del Museo Duca di Martina

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 3 oreย (da duplicare โ€“ tbd)

 

๐—๐•๐ˆ๐ˆ ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ๐Ÿ— ๐Ÿ๐ž๐›๐›๐ซ๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ

๐’๐จ๐ฉ๐ซ๐š๐ฅ๐ฅ๐ฎ๐จ๐ ๐จ ๐š๐ฅ ๐Œ๐€๐๐ โ€“ โ€œ๐ˆ๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ: ๐๐ž๐ฉ๐จ๐ฌ๐ข๐ญ๐ข, ๐ฅ๐š๐›๐จ๐ซ๐š๐ญ๐จ๐ซ๐ข, ๐ข๐ฌ๐ญ๐ข๐ญ๐ฎ๐ณ๐ข๐จ๐ง๐žโ€

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ข: Carlo Rescigno, Universitร  degli Studi della Campania โ€œLuigi Vanvitelliโ€, PA Archeologia Classica.

Francesco Sirano โ€“ Direttore del MANN

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 3 oreย (da duplicare โ€“ tbd)

 

๐—๐•๐ˆ๐ˆ๐ˆ ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐๐Ž๐๐”๐’ โ€“ ๐Ÿ๐Ÿ“ ๐Ÿ๐ž๐›๐›๐ซ๐š๐ข๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ

๐’๐จ๐ฉ๐ซ๐š๐ฅ๐ฅ๐ฎ๐จ๐ ๐จ ๐š๐ฅ ๐‚๐จ๐ฆ๐ฉ๐ฅ๐ž๐ฌ๐ฌ๐จ ๐๐ž๐ข ๐†๐ข๐ซ๐จ๐ฅ๐š๐ฆ๐ข๐ง๐ข

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ข: Teresa Dโ€™Urso, Universitร  degli Studi della Campania โ€œLuigi Vanvitelliโ€, PA Storia dellโ€™Arte Medievale

Antonella Cucciniello โ€“ Direttrice della Biblioteca e del Complesso Monumentale dei Girolamini

๐ƒ๐ฎ๐ซ๐š๐ญ๐š: 3 oreย (da duplicare il 26 febbraio)

 

๐—๐ˆ๐— ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ’ ๐ฆ๐š๐ซ๐ณ๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ

๐๐ซ๐ž๐ฌ๐ž๐ง๐ญ๐š๐ณ๐ข๐จ๐ง๐ž ๐๐ž๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ ๐โ€™๐€๐ซ๐ญ๐ž ๐‚๐จ๐ง๐ญ๐ž๐ฆ๐ฉ๐จ๐ซ๐š๐ง๐ž๐š ๐Œ๐€๐ƒ๐‘๐„

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ž: Giulio Brevetti โ€“ Professore di Storia della Critica dโ€™Arte presso Universitร  Vanvitelli.

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 2 ore

๐Œ๐จ๐๐š๐ฅ๐ข๐ญ๐šฬ€: Online

 

๐—๐— ๐ˆ๐ง๐œ๐จ๐ง๐ญ๐ซ๐จ โ€“ ๐Ÿ“ ๐ฆ๐š๐ซ๐ณ๐จ, ๐จ๐ซ๐ž ๐Ÿ—:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ

๐’๐จ๐ฉ๐ซ๐š๐ฅ๐ฅ๐ฎ๐จ๐ ๐จ ๐š๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐จ ๐Œ๐€๐ƒ๐‘๐„

๐‘๐ž๐ฅ๐š๐ญ๐จ๐ซ๐ž: Giulio Brevetti, Professore di Storia della Critica dโ€™Arte presso Universitร  Vanvitelli.

๐ƒ๐ฎ๐ซ๐š๐ญ๐š:ย 3 oreย (da duplicare โ€“ tbd)

 

La quota di partecipazione รจ:

  • โ‚ฌ150 per i soci Confguide (che abbiano effettuato o rinnovato lโ€™iscrizione).
  • โ‚ฌ300 per i non soci.

Per registrarti compila il modulo al seguente link ๐Ÿ‘‰ https://forms.gle/ayz4YSP1t86xxcfHA

 

No Comments

Post A Comment